Shaping Sense https://validator.w3.org/feed/docs/rss2.html Shaping Sense Works Cited “Double bewitchment”: Love-Beams, the Mutual Gaze, and the Interpenetrating Visions of Marsilio Ficino’s De Amore “Objet petit a”: More Senseshaper Woodcuts from the Void. Enjoy! “Vegetable Love”: Marvell’s “To His Coy Mistress,” Herrick’s “The Vine,” and the Attraction of Plants Donald Trump Woodcut: Megalomanicus Logorrheus “Print is Dead”: More Medieval and Early Modern Inspired Woodcuts, With a Second Edition of Henry VIII, HVIIIERS Gonna HVIII HVIIIers Gonna HVIII: Henry VIII and Other Senseshaper Woodcuts Inspired by the Medieval and Early Modern Periods Part I: “Envious people be the greateste mortherers of the worlde & gretest theves”: Othello III.iii. 160-166 and Richard Pynson’s 1506 The Kalender of Shepherdes. A Possible New Source for Othello. “Their phantasies differ”: The Phantasy in Raleigh’s translation of Sextus Empiricus The Cheerios and Coca Cola Super Bowl Controversy: Capitalism with a Human [Multicultural] Face How to Make a Woodcut: Senseshaper’s Process of De-Digitizing the Archives The First Cuts are the Deepest: Senseshaper’s (Zachary Fisher’s) First Months of Woodcutting “In my mind’s eye”: Species, Phantasms, Skepticism, and the Phantasy in Shakespeare’s Hamlet and in Early Modern Theater Making Woodcuts: Week One of a New Hobby Re-Membering the Penis in Early Modern English Woodcuts; Now with More NSFW GIF Double Vision: Thomas Hobbes’ Eye in “A Minute or First Draft of the Optiques” (BL Harley MS 3360) The Interactive Galenic Humoral Man Beta George Bartisch’s Ophthalmodouleia Das ist Augendienst (1583): Animating the Early Modern Eye #WoodcutWednesday: “Buy U A Drank (Shawty Masquein’)” by T-Cramm (AKA Thomas Cranmer) ft. H-8 (AKA Henry VIII, AAKA Henry Tudor) GIF-ing the Woodcut; Or, Early Modern Party Animals Ren Lyfe: Renaissance and Early Modern Fashion Geekery; or, Philip Stubbes and John Rainolds Would Disapprove of my Fashion Sense Petrarch’s Cat and the Casa del Petrarca: The Excremental Remainder of Literary Tourism The “plague of phantasms”: Petrarch’s Secretum and the Paramaterial Objects of Sense in Human and Non-Human Animals CONSUME! The Medieval and Early Modern Meme Menagerie, or, Grumpy Cat is a Time Lord “I know the place”: Locating the Woodcut in William Griffith’s 1570 Edition of William Baldwin’s Beware the Cat “Drops tears as fast as the Arabian trees”: Othello’s Tears and the Weeping Trees of Acacia and Myrrh. A Corrective Gloss to Most Modern Editions of Shakespeare. The World Turned Upside Down: Revolutions in the Microcosm and Macrocosm, and the Crystalline Humor in the Three Eyes of Early Modern Optical Anatomy. Part Two. The World Turned Upside Down: Revolutions in the Microcosm and Macrocosm, and the Crystalline Humor in the Three Eyes of Early Modern Optical Anatomy. Part One. “Let it turn to something else”: Conservative Ideology and the Reshaping of American Masculinity in Red Dawn from 1984 to 2012 Grumpy Cat Responds to the Medieval Cat-Print Manuscript “Such shaping fantasies”: Shakespeare’s Paramaterial Phantasy My Medieval Grumpy Cat meme made it into a Dutch newspaper! The Noble Lyfe and Natures of Man? Constructing the boundary between man and beast in an early modern bestiary. #WoodcutWednesday-Haters Gonna Hate Utopian Fantasy: Imagining the Form of an Online Scholarly Journal What’s in a pin? Hollywood Revisions and the Ideological Power of The Hunger Games Pleasure Reading: A Reminder that I Needn’t a Pen to Read The Shifting “Horns” of Thomas More’s Utopian Womb We Cannot Allow This Twitter Image Gap! An Early Modern #WoodcutWednesday Challenge Memeing the Early Modern: Danse Harlem Shake Macabre #WoodcutWednesday Transition #WoodcutWednesday test… But at least it has a cool pic. Navis Stultorum: The [GOP] Ship of Fools “True minds,” Untrue Minds, and “Eyes untrue”: The External and Internal Senses in Shakespeare’s Sonnet 113 Reason’s “uneven mirror”: Idols of the Mind and Francis Bacon’s Phantasy Monstrous Phantasies: Imagining the Fetus in Ambroise Paré’s “Of Monsters and Prodigies” Something is Rotten in Helkiah Crooke’s Gendered Representation of the Nose Reuben’s Mandrakes