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“True minds,” Untrue Minds, and “Eyes untrue”: The External and Internal Senses in Shakespeare’s Sonnet 113 - Shaping Sense
My last post sketched out how the paramaterial mind emerges towards the end of Shakespeare’s A Midsummer Night’s Dream. I will have more to say about deceiving the external and internal senses in that play in a later post, but I first want to focus on a much shorter and less complex poem to develop […]
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