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Shaping Sense

The Paramaterial Phantasy

“Double bewitchment”: Love-Beams, the Mutual Gaze, and the Interpenetrating Visions of Marsilio Ficino’s De Amore

I have been arguing for a medieval and early modern paramaterial phantasy which paradoxically positioned the phantasy and its spirits somewhere between the material and the immaterial, and between the body and the soul. In this post, I want to explore Marsilio Ficino’s Neoplatonic construction of love in his De Amore (On Love) to further […]

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Posted in Scholarship, Early Modern Senses, Shaping Sense Tagged vision, history of vision, early modern senses, Marsilio Ficino, love beams, early modern, homoeroticism, imagination, De Amore, paramaterial, Love, Phantasy, theories of love

“In my mind’s eye”: Species, Phantasms, Skepticism, and the Phantasy in Shakespeare’s Hamlet and in Early Modern Theater

Part I. “He thinks tis but our fantasy”: The Ontology and Epistemology of Ghosts and Spirits In William Shakespeare’s Hamlet, the skeptical and possibly Stoic Horatio reveals to the melancholic eponymous prince that he has seen a phantasm. Before Horatio can even reveal his harrowing yet problematic tale of seeing a “form like [Hamlet’s] father,” […]

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Posted in Scholarship, William Shakespeare, Early Modern Senses, Philosophical Skepticism, Shaping Sense Tagged ghosts, early modern, Ralegh, Shakespeare, spirits, epistemology, supernatural, skepticism, drama, history of science, Galenic humoralism, vision, Johann Weyer, history of the senses, accounts of demons and witchcraft, Reginald Scot, imagination, Hamlet, optics, Robert Burton, Malleus Maleficarum, paramaterial, history of vision, witches, Phantasy, William Shakespeare, delusions, philosophical skepticism, early modern senses, cultural studies, Rene Descartes, renaissance, perimaterial, Descartes, Raleigh, senses

Double Vision: Thomas Hobbes’ Eye in “A Minute or First Draft of the Optiques” (BL Harley MS 3360)

NB: I just discovered this image so this post will be brief and very tentative. I hope to follow it up with more extensive research soon and will post a more expansive discussion of this image at a later time. Last week, while I was working on revising a post on vision in Hobbes’ Leviathan […]

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Posted in Early Modern Senses, Scholarship, Philosophical Skepticism, Shaping Sense, Tangents Tagged "A Minute or First Draft on the Optiques", history of science, ocular anatomy, history of the senses, the eye, Kepler, history of vision, manuscripts, Leviathan, paramaterial, Short Tract of First Principles, vesalius, vision, Thomas Hobbes, British Library MS 3360 3 Comments

The World Turned Upside Down: Revolutions in the Microcosm and Macrocosm, and the Crystalline Humor in the Three Eyes of Early Modern Optical Anatomy. Part One.

This entry is part [part not set] of 2 in the series The World Turned Upside Down: Revolutions in the Microcosm and Macrocosm, and the Crystalline Humor in the Three Eyes of Early Modern Optical Anatomy.

The World Turned Upside Down: Revolutions in the Microcosm and Macrocosm and the Crystalline Humor in the Three Eyes of Early Modern Optical Anatomy Part I. The Three Fleshly Eyes of Early Modern Optical Anatomy Augustine famously discusses the three eyes of a perceiver. He details that, first, there is the eye of the flesh. Second, […]

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Posted in Early Modern Senses, Philosophical Skepticism, Shaping Sense Tagged anatomy, optics, Augustine, paramaterial, crystalline humor, Platter, Descartes, senses, early modern, vesalius, eye, vision, history of science, history of the senses, Kepler, lens, optical anatomy

The World Turned Upside Down: Revolutions in the Microcosm and Macrocosm, and the Crystalline Humor in the Three Eyes of Early Modern Optical Anatomy. Part Two.

This entry is part [part not set] of 2 in the series The World Turned Upside Down: Revolutions in the Microcosm and Macrocosm, and the Crystalline Humor in the Three Eyes of Early Modern Optical Anatomy.

The World Turned Upside Down: Revolutions in the Microcosm and Macrocosm and the Crystalline Humor in the Three Eyes of Early Modern Optical Anatomy Part II. The Revolution of the Eye and De-centering the Eye’s Sovereign In the first section, I discussed Andre du Laurens’ extended metaphorical treatment of the eye’s structure. There, du Laurens […]

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Posted in Scholarship, Early Modern Senses, Philosophical Skepticism, Shaping Sense Tagged Ambroise Paré, science, anatomy, senses, Augustine, sight, Descartes, skepticism, early modern, vision, Helkiah Crooke, History of medicine, history of science, Kepler, optics, paramaterial

George Bartisch’s Ophthalmodouleia Das ist Augendienst (1583): Animating the Early Modern Eye

For the past few days, I have been working on a long essay on the anatomy of the eye and the importance of the crystalline humor in early modern elite and popular discourses on sight, but I took some time away from editing to play around with both Flash and a digital edition of George […]

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Posted in Early Modern Senses, Shaping Sense, Tangents Tagged early modern, history of optics, history of science, senses, vision 1 Comment

“A mere Phantasm or Imagination”: Philosophical Skepticism and Joseph Mede’s Crisis of Sense

Hitherto, I have been focusing on the relationships established among the objects of the world and the objects of the mind predominantly in popular sixteenth- and seventeenth-century natural philosophy. I do so, in part, because the divisions between perception and reality, and between appearance and reality, for contemporary critical practice, are a given and are […]

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Posted in Early Modern Senses, Philosophical Skepticism, Shaping Sense Tagged Joseph Mede, Montaigne, paramaterial, phantasms, Phantasy, Descartes, philosophical skepticism, early modern, senses, history of ideas, Sextus Empiricus, history of philosophy, skepticism, history of science, species, imagination 4 Comments

“Runne through [t]he[i]r vaynes”: Phantasies of Desire in Barnabe Barnes’ Parthenophil and Parthenophe’s Sonnet 63 and Sestine 5

A few years ago, Gordon Braden introduced me to the peculiar sonnet from Barnabe Barnes’ Parthenophil and Parthenophe. At that time, I remember finding the pairing of Jove’s “golden shower” with the speaker’s desire to become the urine of his beloved both hilarious and intriguing. I wondered whether this was the first instance in English […]

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Posted in Early Modern Senses, Shaping Sense Tagged Phantasy, theories of love, Barnabe Barnes, early modern, history of senses, imagination, paramaterial

Monstrous Phantasies: Imagining the Fetus in Ambroise Paré’s “Of Monsters and Prodigies”

I have been discussing the paramaterial objects of the medieval and early modern mind as if they paradoxically took part in both the material nature of external objects and the immaterial abstraction of the soul. I will have more to say about the strange positioning and representation of those objects in later posts, but here […]

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Posted in Early Modern Senses, Shaping Sense Tagged paramaterial, Phantasy, representations of the body, senses, Ambroise Paré, anatomy, early modern, imagination, Michel de Montaigne, monsters

Something is Rotten in Helkiah Crooke’s Gendered Representation of the Nose

In his Microcosmographia, Helkiah Crooke, drawing upon and adapting Placentinus, takes issue with the traditional hierarchy of the external senses in the opening gambit of book eight’s “Dilucidation or Exposition of the Controuersies belonging to the Senses.” Whereas it was common practice in early modern anatomy and natural philosophy to account vision the “noblest sense,” […]

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Posted in Early Modern Senses, Shaping Sense Tagged Sense of smell, senses, anatomy, cultural studies, early modern, gender, Helkiah Crooke, history of science, Microcosmographia, nose 11 Comments

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