Category: Shaping Sense

My main digital articles and scholarship category.

XVIII “Double bewitchment”: Love-Beams, the Mutual Gaze, and the Interpenetrating Visions of Marsilio Ficino’s De Amore 2017 Early Modern Senses · Scholarship · Shaping Sense XVII “Their phantasies differ”: The Phantasy in Raleigh’s translation of Sextus Empiricus 2014 Philosophical Skepticism · Scholarship · Shaping Sense XVI “In my mind’s eye”: Species, Phantasms, Skepticism, and the Phantasy in Shakespeare’s Hamlet and in Early Modern Theater 2013 Early Modern Senses · Philosophical Skepticism · Scholarship XV Double Vision: Thomas Hobbes’ Eye in “A Minute or First Draft of the Optiques” (BL Harley MS 3360) 2013 Early Modern Senses · Philosophical Skepticism · Scholarship XIV The World Turned Upside Down: Revolutions in the Microcosm and Macrocosm, and the Crystalline Humor in the Three Eyes of Early Modern Optical Anatomy. Part One. 2013 Early Modern Senses · Philosophical Skepticism · Shaping Sense XIII The World Turned Upside Down: Revolutions in the Microcosm and Macrocosm, and the Crystalline Humor in the Three Eyes of Early Modern Optical Anatomy. Part Two. 2013 Early Modern Senses · Philosophical Skepticism · Scholarship XII “Drops tears as fast as the Arabian trees”: Othello’s Tears and the Weeping Trees of Acacia and Myrrh. A Corrective Gloss to Most Modern Editions of Shakespeare. 2013 Scholarship · Shaping Sense · Tangents XI George Bartisch’s Ophthalmodouleia Das ist Augendienst (1583): Animating the Early Modern Eye 2013 Early Modern Senses · Shaping Sense · Tangents X “A mere Phantasm or Imagination”: Philosophical Skepticism and Joseph Mede’s Crisis of Sense 2013 Early Modern Senses · Philosophical Skepticism · Shaping Sense IX “Runne through [t]he[i]r vaynes”: Phantasies of Desire in Barnabe Barnes’ Parthenophil and Parthenophe’s Sonnet 63 and Sestine 5 2013 Early Modern Senses · Shaping Sense
Set in EB Garamond, 1456 Gutenberg and JSL Ancient. Text © Zachary Fisher, licensed CC BY-NC 4.0 except where noted · Woodcuts and images not attributed to others © Zachary Fisher, all rights reserved