Category: Early Modern Senses

XVIII “Double bewitchment”: Love-Beams, the Mutual Gaze, and the Interpenetrating Visions of Marsilio Ficino’s De Amore 2017 Early Modern Senses · Scholarship · Shaping Sense XVI “In my mind’s eye”: Species, Phantasms, Skepticism, and the Phantasy in Shakespeare’s Hamlet and in Early Modern Theater 2013 Early Modern Senses · Philosophical Skepticism · Scholarship XV Double Vision: Thomas Hobbes’ Eye in “A Minute or First Draft of the Optiques” (BL Harley MS 3360) 2013 Early Modern Senses · Philosophical Skepticism · Scholarship XIV The World Turned Upside Down: Revolutions in the Microcosm and Macrocosm, and the Crystalline Humor in the Three Eyes of Early Modern Optical Anatomy. Part One. 2013 Early Modern Senses · Philosophical Skepticism · Shaping Sense XIII The World Turned Upside Down: Revolutions in the Microcosm and Macrocosm, and the Crystalline Humor in the Three Eyes of Early Modern Optical Anatomy. Part Two. 2013 Early Modern Senses · Philosophical Skepticism · Scholarship XI George Bartisch’s Ophthalmodouleia Das ist Augendienst (1583): Animating the Early Modern Eye 2013 Early Modern Senses · Shaping Sense · Tangents X “A mere Phantasm or Imagination”: Philosophical Skepticism and Joseph Mede’s Crisis of Sense 2013 Early Modern Senses · Philosophical Skepticism · Shaping Sense IX “Runne through [t]he[i]r vaynes”: Phantasies of Desire in Barnabe Barnes’ Parthenophil and Parthenophe’s Sonnet 63 and Sestine 5 2013 Early Modern Senses · Shaping Sense VIII Monstrous Phantasies: Imagining the Fetus in Ambroise Paré’s “Of Monsters and Prodigies” 2013 Early Modern Senses · Shaping Sense VII Something is Rotten in Helkiah Crooke’s Gendered Representation of the Nose 2013 Early Modern Senses · Shaping Sense