Category: Scholarship

The Interactive Galenic Humoral Man Beta 2013 Tangents “Vegetable Love”: Marvell’s “To His Coy Mistress,” Herrick’s “The Vine,” and the Attraction of Plants 2013 #WoodcutWednesday · Silly Things · Tangents XIV The World Turned Upside Down: Revolutions in the Microcosm and Macrocosm, and the Crystalline Humor in the Three Eyes of Early Modern Optical Anatomy. Part One. 2013 Early Modern Senses · Philosophical Skepticism · Shaping Sense XIII The World Turned Upside Down: Revolutions in the Microcosm and Macrocosm, and the Crystalline Humor in the Three Eyes of Early Modern Optical Anatomy. Part Two. 2013 Early Modern Senses · Philosophical Skepticism · Scholarship Part I: “Envious people be the greateste mortherers of the worlde & gretest theves”: Othello III.iii. 160-166 and Richard Pynson’s 1506 The Kalender of Shepherdes. A Possible New Source for Othello. 2013 Tangents · William Shakespeare “Let it turn to something else”: Conservative Ideology and the Reshaping of American Masculinity in Red Dawn from 1984 to 2012 2013 Film · Tangents XII “Drops tears as fast as the Arabian trees”: Othello’s Tears and the Weeping Trees of Acacia and Myrrh. A Corrective Gloss to Most Modern Editions of Shakespeare. 2013 Scholarship · Shaping Sense · Tangents XI George Bartisch’s Ophthalmodouleia Das ist Augendienst (1583): Animating the Early Modern Eye 2013 Early Modern Senses · Shaping Sense · Tangents Utopian Fantasy: Imagining the Form of an Online Scholarly Journal 2013 Fantasies · Sense of Myself · Tangents X “A mere Phantasm or Imagination”: Philosophical Skepticism and Joseph Mede’s Crisis of Sense 2013 Early Modern Senses · Philosophical Skepticism · Shaping Sense
Set in EB Garamond, 1456 Gutenberg and JSL Ancient. Text © Zachary Fisher, licensed CC BY-NC 4.0 except where noted · Woodcuts and images not attributed to others © Zachary Fisher, all rights reserved