The Paramaterial Phantasy
Part I. “He thinks tis but our fantasy”: The Ontology and Epistemology of Ghosts and Spirits In William Shakespeare’s Hamlet, the skeptical and possibly Stoic Horatio reveals to the melancholic eponymous prince that he has seen a phantasm. Before Horatio can even reveal his harrowing yet problematic tale of seeing a “form like [Hamlet’s] father,” […]
Having previously written three separate entries on cats, I reluctantly post this for fear of becoming identified as a cat blog.1 My first cat post concerned identifying the strange woodcut on William Griffith’s 1570 edition of William Baldwin’s Beware the Cat, which, although presenting original research, sadly remains the least viewed of my cat trilogy. […]
Growing up and developing my own sense of identity through the products of popular culture in the Reagan era, I must admit that Red Dawn (1984) played an important role not only in defining the imaginative landscape of my six year old self, but also, I should think, in helping define and in producing my […]
In his Microcosmographia, Helkiah Crooke, drawing upon and adapting Placentinus, takes issue with the traditional hierarchy of the external senses in the opening gambit of book eight’s “Dilucidation or Exposition of the Controuersies belonging to the Senses.” Whereas it was common practice in early modern anatomy and natural philosophy to account vision the “noblest sense,” […]
In Petrarch’s Secretum written somewhere between 1347 and 1353 and circulated posthumously, Petrarch shapes a dialogue between himself and a fictionalized Augustine. Augustine chastises and instructs Petrarch for favoring an attention to the world over devotion to God and spiritual things. Towards the end of book one of this dialogue, Augustine reveals the tensions inherent […]
While studying mind models available in the early modern period, I noticed an unusual confluence of supposed “influences” on the mind that generate paradoxical aspects within medieval and early modern constructions of the Imagination or the Phantasy. These paradoxes reveal a Phantasy that resembles but differs from our ordinary contemporary understanding of the imagination. For […]