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Shaping Sense

The Paramaterial Phantasy

“Double bewitchment”: Love-Beams, the Mutual Gaze, and the Interpenetrating Visions of Marsilio Ficino’s De Amore

I have been arguing for a medieval and early modern paramaterial phantasy which paradoxically positioned the phantasy and its spirits somewhere between the material and the immaterial, and between the body and the soul. In this post, I want to explore Marsilio Ficino’s Neoplatonic construction of love in his De Amore (On Love) to further […]

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Posted in Scholarship, Early Modern Senses, Shaping Sense Tagged theories of love, vision, history of vision, early modern senses, Marsilio Ficino, love beams, early modern, homoeroticism, imagination, De Amore, paramaterial, Love, Phantasy

“In my mind’s eye”: Species, Phantasms, Skepticism, and the Phantasy in Shakespeare’s Hamlet and in Early Modern Theater

Part I. “He thinks tis but our fantasy”: The Ontology and Epistemology of Ghosts and Spirits In William Shakespeare’s Hamlet, the skeptical and possibly Stoic Horatio reveals to the melancholic eponymous prince that he has seen a phantasm. Before Horatio can even reveal his harrowing yet problematic tale of seeing a “form like [Hamlet’s] father,” […]

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Posted in Scholarship, William Shakespeare, Early Modern Senses, Philosophical Skepticism, Shaping Sense Tagged Descartes, Raleigh, senses, ghosts, early modern, Ralegh, Shakespeare, spirits, epistemology, supernatural, skepticism, drama, history of science, Galenic humoralism, vision, Johann Weyer, history of the senses, accounts of demons and witchcraft, Reginald Scot, imagination, Hamlet, optics, Robert Burton, Malleus Maleficarum, paramaterial, history of vision, witches, Phantasy, William Shakespeare, delusions, philosophical skepticism, early modern senses, cultural studies, Rene Descartes, renaissance, perimaterial

“Vegetable Love”: Marvell’s “To His Coy Mistress,” Herrick’s “The Vine,” and the Attraction of Plants

In his poem “To His Coy Mistress,” Andrew Marvell’s speaker begins by imagining a scenario in which he and his lover have all the time in the world to love one another without a fear of death. During the course of his musings, the lover makes an odd metaphor for the growth of his love […]

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Posted in Silly Things, Tangents, #WoodcutWednesday Tagged English Renaissance, Robert Burton, Anatomy of Melancholy, early modern, Herrick, imagination, The Vine, Phantasy, dendrophilia, woodcuts, Andrew Marvell, To His Coy Mistress, Vegetable Love 2 Comments

“Drops tears as fast as the Arabian trees”: Othello’s Tears and the Weeping Trees of Acacia and Myrrh. A Corrective Gloss to Most Modern Editions of Shakespeare.

I. “The Arbaian trees their medicinable gum”: Othello’s Weeping Trees During Othello’s suicide speech, he makes several references that have attracted the attention of modern editors and scholars. The most famous concerns the textual variations between the Quarto and Folio versions of the line “Like a base Indian, threw a pearl away.” Whereas the Quarto […]

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Posted in Scholarship, Shaping Sense, William Shakespeare, Tangents Tagged imagination, Gerard, Petrarch, Phantasy, Shakespeare, vision, Othello, early modern, jealousy, Herbals, Iago, history of the senses, seeing as

“A mere Phantasm or Imagination”: Philosophical Skepticism and Joseph Mede’s Crisis of Sense

Hitherto, I have been focusing on the relationships established among the objects of the world and the objects of the mind predominantly in popular sixteenth- and seventeenth-century natural philosophy. I do so, in part, because the divisions between perception and reality, and between appearance and reality, for contemporary critical practice, are a given and are […]

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Posted in Early Modern Senses, Philosophical Skepticism, Shaping Sense Tagged Descartes, philosophical skepticism, early modern, senses, history of ideas, Sextus Empiricus, history of philosophy, skepticism, history of science, species, imagination, Joseph Mede, Montaigne, paramaterial, phantasms, Phantasy 4 Comments

“Runne through [t]he[i]r vaynes”: Phantasies of Desire in Barnabe Barnes’ Parthenophil and Parthenophe’s Sonnet 63 and Sestine 5

A few years ago, Gordon Braden introduced me to the peculiar sonnet from Barnabe Barnes’ Parthenophil and Parthenophe. At that time, I remember finding the pairing of Jove’s “golden shower” with the speaker’s desire to become the urine of his beloved both hilarious and intriguing. I wondered whether this was the first instance in English […]

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Posted in Shaping Sense, Early Modern Senses Tagged Barnabe Barnes, early modern, history of senses, imagination, paramaterial, Phantasy, theories of love

Monstrous Phantasies: Imagining the Fetus in Ambroise Paré’s “Of Monsters and Prodigies”

I have been discussing the paramaterial objects of the medieval and early modern mind as if they paradoxically took part in both the material nature of external objects and the immaterial abstraction of the soul. I will have more to say about the strange positioning and representation of those objects in later posts, but here […]

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Posted in Early Modern Senses, Shaping Sense Tagged anatomy, early modern, imagination, Michel de Montaigne, monsters, paramaterial, Phantasy, representations of the body, senses, Ambroise Paré

The “plague of phantasms”: Petrarch’s Secretum and the Paramaterial Objects of Sense in Human and Non-Human Animals

In Petrarch’s Secretum written somewhere between 1347 and 1353 and circulated posthumously, Petrarch shapes a dialogue between himself and a fictionalized Augustine. Augustine chastises and instructs Petrarch for favoring an attention to the world over devotion to God and spiritual things. Towards the end of book one of this dialogue, Augustine reveals the tensions inherent […]

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Posted in Shaping Sense Tagged ontology, Albertus Magnus, optics, animal studies, paramaterial, cultural studies, Petrarch, early modern, Phantasy, epistemology, renaissance, Francesco Petrarcha, Secretum, history of he mind, senses, history of science, history of the senses, imagination 1 Comment

Reason’s “uneven mirror”: Idols of the Mind and Francis Bacon’s Phantasy

In Francis Bacon’s Novum Organum, Bacon claims that four “idols” corrupt the understanding and block science from developing a proper understanding of nature. Bacon offers that “there are four kinds of idols besetting human minds,” and gives them names, saying, “I call the first, Idols of the Tribe; the second, Idols of the Cave; the […]

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Posted in Shaping Sense Tagged fiction, Francis Bacon, Idols, imagination, New Atlantis, Novum Organum, paramaterial, Philip Sidney, senses, The Advancement of Learning, early modern

Albertus, the “Aprecocke,” and the Fantasia.

I have recently been working on an interactive Flash meta-mind map animation to help explain the features and functions assigned to the faculties within various models of the mind. For my first post, I have embedded the “fantasia” portion of my Flash meta-mind map. It represents one portion in a longer interactive map designed to […]

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Posted in Shaping Sense Tagged early modern, imagination, internal senses, models of mind, paramaterial, psychology, senses
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