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Shaping Sense

The Paramaterial Phantasy

“True minds,” Untrue Minds, and “Eyes untrue”: The External and Internal Senses in Shakespeare’s Sonnet 113

My last post sketched out how the paramaterial mind emerges towards the end of Shakespeare’s A Midsummer Night’s Dream. I will have more to say about deceiving the external and internal senses in that play in a later post, but I first want to focus on a much shorter and less complex poem to develop […]

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Posted in Shaping Sense Tagged epistemology, history of the senses, imagination, paramaterial, Phantasy, Shakespeare, skepticism, sonnet 113, sonnets, vision, early modern

“Such shaping fantasies”: Shakespeare’s Paramaterial Phantasy

      portion of my last post’s title comes from the fifth act of William Shakespeare’s A Midsummer Night’s Dream where Hippolyta and Theseus discuss the strange alterations of love they have just witnessed in the forest. Hippolyta declares the speeches delivered by the lovers as “strange,” prompting The Duke’s declaration of the vulnerability […]

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Posted in William Shakespeare, Shaping Sense Tagged early modern, epistemology, history of the senses, imagination, Phantasy, senses, Shakespeare, A Midsummer Night's Dream

“And as imagination bodies forth/ The forms of things unknown”: Why the “Paramaterial Phantasy”?

While studying mind models available in the early modern period, I noticed an unusual confluence of supposed “influences” on the mind that generate paradoxical aspects within medieval and early modern constructions of the Imagination or the Phantasy. These paradoxes reveal a Phantasy that resembles but differs from our ordinary contemporary understanding of the imagination. For […]

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Posted in Shaping Sense Tagged cultural studies, early modern, history of science, imagination, paramaterial, renaissance, senses 1 Comment
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