“True minds,” Untrue Minds, and “Eyes untrue”: The External and Internal Senses in Shakespeare’s Sonnet 113
My last post sketched out how the paramaterial mind emerges towards the end of Shakespeare’s A Midsummer Night’s Dream. I will have more to say about deceiving the external and internal senses in that play in a later post, but I first want to focus on a much shorter and less complex poem to develop […]