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Shaping Sense

The Paramaterial Phantasy

“Double bewitchment”: Love-Beams, the Mutual Gaze, and the Interpenetrating Visions of Marsilio Ficino’s De Amore

I have been arguing for a medieval and early modern paramaterial phantasy which paradoxically positioned the phantasy and its spirits somewhere between the material and the immaterial, and between the body and the soul. In this post, I want to explore Marsilio Ficino’s Neoplatonic construction of love in his De Amore (On Love) to further […]

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Posted in Scholarship, Early Modern Senses, Shaping Sense Tagged history of vision, early modern senses, Marsilio Ficino, love beams, early modern, homoeroticism, imagination, De Amore, paramaterial, Love, Phantasy, theories of love, vision

“In my mind’s eye”: Species, Phantasms, Skepticism, and the Phantasy in Shakespeare’s Hamlet and in Early Modern Theater

Part I. “He thinks tis but our fantasy”: The Ontology and Epistemology of Ghosts and Spirits In William Shakespeare’s Hamlet, the skeptical and possibly Stoic Horatio reveals to the melancholic eponymous prince that he has seen a phantasm. Before Horatio can even reveal his harrowing yet problematic tale of seeing a “form like [Hamlet’s] father,” […]

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Posted in Scholarship, William Shakespeare, Early Modern Senses, Philosophical Skepticism, Shaping Sense Tagged skepticism, drama, history of science, Galenic humoralism, vision, Johann Weyer, history of the senses, accounts of demons and witchcraft, Reginald Scot, imagination, Hamlet, optics, Robert Burton, Malleus Maleficarum, paramaterial, history of vision, witches, Phantasy, William Shakespeare, delusions, philosophical skepticism, early modern senses, cultural studies, Rene Descartes, renaissance, perimaterial, Descartes, Raleigh, senses, ghosts, early modern, Ralegh, Shakespeare, spirits, epistemology, supernatural

Double Vision: Thomas Hobbes’ Eye in “A Minute or First Draft of the Optiques” (BL Harley MS 3360)

NB: I just discovered this image so this post will be brief and very tentative. I hope to follow it up with more extensive research soon and will post a more expansive discussion of this image at a later time. Last week, while I was working on revising a post on vision in Hobbes’ Leviathan […]

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Posted in Early Modern Senses, Scholarship, Philosophical Skepticism, Shaping Sense, Tangents Tagged history of the senses, the eye, Kepler, history of vision, manuscripts, Leviathan, paramaterial, Short Tract of First Principles, vesalius, vision, Thomas Hobbes, British Library MS 3360, "A Minute or First Draft on the Optiques", history of science, ocular anatomy 3 Comments

The World Turned Upside Down: Revolutions in the Microcosm and Macrocosm, and the Crystalline Humor in the Three Eyes of Early Modern Optical Anatomy. Part One.

This entry is part [part not set] of 2 in the series The World Turned Upside Down: Revolutions in the Microcosm and Macrocosm, and the Crystalline Humor in the Three Eyes of Early Modern Optical Anatomy.

The World Turned Upside Down: Revolutions in the Microcosm and Macrocosm and the Crystalline Humor in the Three Eyes of Early Modern Optical Anatomy Part I. The Three Fleshly Eyes of Early Modern Optical Anatomy Augustine famously discusses the three eyes of a perceiver. He details that, first, there is the eye of the flesh. Second, […]

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Posted in Early Modern Senses, Philosophical Skepticism, Shaping Sense Tagged Kepler, lens, optical anatomy, anatomy, optics, Augustine, paramaterial, crystalline humor, Platter, Descartes, senses, early modern, vesalius, eye, vision, history of science, history of the senses

The World Turned Upside Down: Revolutions in the Microcosm and Macrocosm, and the Crystalline Humor in the Three Eyes of Early Modern Optical Anatomy. Part Two.

This entry is part [part not set] of 2 in the series The World Turned Upside Down: Revolutions in the Microcosm and Macrocosm, and the Crystalline Humor in the Three Eyes of Early Modern Optical Anatomy.

The World Turned Upside Down: Revolutions in the Microcosm and Macrocosm and the Crystalline Humor in the Three Eyes of Early Modern Optical Anatomy Part II. The Revolution of the Eye and De-centering the Eye’s Sovereign In the first section, I discussed Andre du Laurens’ extended metaphorical treatment of the eye’s structure. There, du Laurens […]

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Posted in Philosophical Skepticism, Shaping Sense, Scholarship, Early Modern Senses Tagged Kepler, optics, paramaterial, Ambroise Paré, science, anatomy, senses, Augustine, sight, Descartes, skepticism, early modern, vision, Helkiah Crooke, History of medicine, history of science

“Drops tears as fast as the Arabian trees”: Othello’s Tears and the Weeping Trees of Acacia and Myrrh. A Corrective Gloss to Most Modern Editions of Shakespeare.

I. “The Arbaian trees their medicinable gum”: Othello’s Weeping Trees During Othello’s suicide speech, he makes several references that have attracted the attention of modern editors and scholars. The most famous concerns the textual variations between the Quarto and Folio versions of the line “Like a base Indian, threw a pearl away.” Whereas the Quarto […]

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Posted in Tangents, Scholarship, Shaping Sense, William Shakespeare Tagged Othello, early modern, jealousy, Herbals, Iago, history of the senses, seeing as, imagination, Gerard, Petrarch, Phantasy, Shakespeare, vision

George Bartisch’s Ophthalmodouleia Das ist Augendienst (1583): Animating the Early Modern Eye

For the past few days, I have been working on a long essay on the anatomy of the eye and the importance of the crystalline humor in early modern elite and popular discourses on sight, but I took some time away from editing to play around with both Flash and a digital edition of George […]

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Posted in Early Modern Senses, Shaping Sense, Tangents Tagged early modern, history of optics, history of science, senses, vision 1 Comment

“True minds,” Untrue Minds, and “Eyes untrue”: The External and Internal Senses in Shakespeare’s Sonnet 113

My last post sketched out how the paramaterial mind emerges towards the end of Shakespeare’s A Midsummer Night’s Dream. I will have more to say about deceiving the external and internal senses in that play in a later post, but I first want to focus on a much shorter and less complex poem to develop […]

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Posted in Shaping Sense Tagged sonnets, vision, early modern, epistemology, history of the senses, imagination, paramaterial, Phantasy, Shakespeare, skepticism, sonnet 113

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